Art & Design

Hi, when I joined Lemmy, I wanted to highlight the artistic side of what is otherwise a very tech- and political-centric social network. I'm hoping this list of art and design related communities will help people in finding a place to belong. Check the notes in the comments for more meta info about this megathread. > **Generalist communities** - [!artdesign@jlai.lu](https://jlai.lu/c/artdesign) - [!art@lemmy.world](https://lemmy.world/c/art) - [!art@slrpnk.net](https://slrpnk.net/c/art) - [!art@lemmy.ca](https://lemmy.ca/c/art) - [!art@lemm.ee](https://lemm.ee/c/art) - [!art@vegantheoryclub.org](https://vegantheoryclub.org/c/art) - [!artpost@sh.itjust.works](https://sh.itjust.works/c/artpost) > **Politics / Philosophy / Thinking / Learning** - [!activist_and_polemic_art@lemmy.world](https://lemmy.world/c/activist_and_polemic_art) - [!learnart@lemm.ee](https://lemm.ee/c/learnart) - [!artfundamentals@lemm.ee](https://lemm.ee/c/artfundamentals) - [!artistlounge@lemmy.ml](https://lemmy.ml/c/artistlounge) > **Self promo** - [!artshare@lemmy.world](https://lemmy.world/c/artshare) - [!art@lemmy.blahaj.zone](https://lemmy.blahaj.zone/c/art) - [!aip@lemmy.mindoki.com](https://lemmy.mindoki.com/c/aip) > **Visual arts** (need to sort into more specific categories) - [!traditional_art@lemmy.world](https://lemmy.world/c/traditional_art) - [!digitalart@lemmy.world](https://lemmy.world/c/digitalart) - [!artporn@lemm.ee](https://lemm.ee/c/artporn) - [!pixelart@lemmy.ml](https://lemmy.ml/c/pixelart) - [!transart@lemmy.blahaj.zone](https://lemmy.blahaj.zone/c/transart) - [!sapphicart@lemmy.blahaj.zone](https://lemmy.blahaj.zone/c/sapphicart) - [!anime_art@ani.social](https://ani.social/c/anime_art) - [!apocalypticart@discuss.tchncs.de](https://discuss.tchncs.de/c/apocalypticart) - [!artbykids@lemmy.world](https://lemmy.world/c/artbykids) - [!streetart@lemm.ee](https://lemm.ee/c/streetart) - [!animalart@lemm.ee](https://lemm.ee/c/animalart) - [!abstractart@lemmy.ca](https://lemmy.ca/c/abstractart) - [!art@mtgzone.com](https://mtgzone.com/c/art) - [!boitedart@sh.itjust.works](https://sh.itjust.works/c/boitedart) - [!mildart@sh.itjust.works](https://sh.itjust.works/c/mildart) - [!printmaking@lemmy.ml](https://lemmy.ml/c/printmaking) - [!collage@lemmy.ml](https://lemmy.ml/c/collage) - [!moebius_art@lemmy.mindoki.com](https://lemmy.mindoki.com/c/moebius_art) - [!hobbit_art@hobbit.world](https://hobbit.world/c/hobbit_art) > **Music** - [!albumartporn@lemmy.world](https://lemmy.world/c/albumartporn) - [!artmusic@sh.itjust.works](https://sh.itjust.works/c/artmusic) > **Photography** - [!abstractphotography@lemmy.ml](https://lemmy.ml/c/abstractphotography) > **Video games** - [!gameart@sopuli.xyz](https://sopuli.xyz/c/gameart) - [!vgartwork@lemmy.zip](https://lemmy.zip/c/vgartwork) - [!technicallyart@suppo.fi](https://suppo.fi/c/technicallyart) > **Technology** - [!crtart@lemmy.world](https://lemmy.world/c/crtart) - [!pixelart@lemm.ee](https://lemm.ee/c/pixelart) - [!ascii_art@lemmy.world](https://lemmy.world/c/ascii_art) > **Handmade / DIY** - [!handmade@lemmy.world](https://lemmy.world/c/handmade) - [!origami@feddit.org](https://feddit.org/c/origami) > **Niche Art** - [!latteart@lemmy.zip](https://lemmy.zip/c/latteart) - [!harrypotter@lemm.ee](https://lemm.ee/c/harrypotter) - [!limerence_art@lemmy.sdf.org](https://lemmy.sdf.org/c/limerence_art) - [!cc_art@lemmy.world](https://lemmy.world/c/cc_art) > **Funny** - [!cartographyanarchy@lemm.ee](https://lemm.ee/c/cartographyanarchy) - [!badart@lemm.ee](https://lemm.ee/c/badart) > **Artificially generated** - [!ai_art@lemmy.world](https://lemmy.world/c/ai_art) - [!stable_diffusion_art@lemmy.dbzer0.com](https://lemmy.dbzer0.com/c/stable_diffusion_art) - [!gan_art@mander.xyz](https://mander.xyz/c/gan_art)

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Bienvenue ! Vous pouvez utiliser ce sujet pour toute question meta, ou autres ! 🇬🇧 English visitors, our [instance rules](https://jlai.lu/post/5) apply here. > Examples of behaviours that help create a positive environment: - Show empathy and kindness towards others - Be respectful of divergent opinions, points of view and experiences - Give and receive constructive criticism with grace - Take responsibility and apologize to those affected by our mistakes and learn from these experiences - Focus on what is best not just for us as individuals, but also for the community as a whole - Ask rather than prejudge > Examples of unacceptable behaviours: - The use of sexualized language or images and sexual advances of any kind - Trolling, insulting or derogatory comments and personal or political attacks - Harassment in public or private - Posting private information of others, such as a postal address or email address, without their explicit permission - Any other conduct that could reasonably be considered inappropriate in a professional setting - The use of dogwhistles, or allusions to circumvent the rules - The use of violent remarks towards another person (insults, mockery, personal attacks, etc.), or a group of people (sexism, validism, racism, homophobia, transphobia, etc.), disguised or not - Hiding the substance of one's opinions, for example: “I’m not racist, but […]”, “I’m not saying that all women are like that, but […]”. If you feel like you need to include this kind of preposition, there's probably a reason.

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[Portrait] dans les yeux de YSLAIRE- Sambre VIII [@artdesign](https://jlai.lu/c/artdesign) [yewtu.be/watch?v=lwsckQGNNv4](https://yewtu.be/watch?v=lwsckQGNNv4) Portrait intime de l'auteur de SAMBRE par sa fille. 33 ans pour une oeuvre en 9 tomes... presque une vie. Réalisation / Lola Hislaire Texte et voix / Bernard Yslaire Images / Julien Cherpion Julie / Sophie Melis Production / Plus Mieux Sambre est publié aux éditions Glénat [\#BD](https://peculiar.florist/tags/BD) [#Sambre](https://peculiar.florist/tags/Sambre) [#Yslaire](https://peculiar.florist/tags/Yslaire)

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[BD] La saga Sambre [@artdesign](https://jlai.lu/c/artdesign) [yewtu.be/watch?v=bUFNlkKJmmg](https://yewtu.be/watch?v=bUFNlkKJmmg) TOUTES LES INFOS SONT DANS LA BARRE, MES RENYARDS. DEROULEZ ! Commence par mettre la HD. Tu verras, c’est plus roux. Références : Sambre, La guerre des Sambre d'Yslaire chez Glényat Ordre chronologique histoire : ► La guerre des Sambre : Werner et Charlotte 1. L'éternité de Saintange 2. La messe rouge 3. Votre enfant, comtesse ► La guerre des Sambre : Maxime et Constance 1. La fiancée de ses nuits blanches 2. Le petit jour de la mariée 3. Le regard de la veuve (parution 4 octobre 2017) ► La guerre des Sambre : Hugo et Iris 1. Le mariage d'Hugo 2. La passion selon Iris 3. La lune qui regarde ► Sambre 1. Plus ne m'est rien 2. Je sais que tu viendras 3. Liberté, liberté 4. Fallait-il que nous mourrions ensemble ? 5. Maudit soit le fruit de ses entrailles 6. La mer vue du purgatoire 7. Fleur de pavé 8. Celle que mes yeux ne voient pas (selon Glényat : automne 2017) 9. Nos yeux, nos cheveux, nos fiertés (selon Glényat : hiver 2018) \_\_\_ TOUS les livres que je présente sont en général facilement trouvable dans toutes les bonnes librairies. Directement en rayon, ou alors demandez à votre libraire de vous passer une commande :-) [\#BD](https://peculiar.florist/tags/BD) [#Sambre](https://peculiar.florist/tags/Sambre) [#Yslaire](https://peculiar.florist/tags/Yslaire)

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www.creativeboom.com

> If you want your art to mean something yet still get paid for it, this Indian designer and illustrator offers an example to follow.

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Full list with more pictures at : https://www.comedywildlifephoto.com/gallery/finalists/2024_finalists.php > Here are the finalists from the 2024 Comedy Wildlife Photography Awards competition. Winners will be announced on the 10th of December 2024. Voting for the People's Choice Award runs from 26th September until 31st October.

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[BD] PHILÉMON: Mind expanding wild ride for the whole family [@artdesign](https://jlai.lu/c/artdesign) [invidious.fdn.fr/watch?v=4wADUXlxAQE](https://invidious.fdn.fr/watch?v=4wADUXlxAQE) PHILÉMON(by Fred) is one of the best comics I can suggest for all ages. It has a lot of similarities to Alice In Wonderland being truly unpredictable, surreal and funny at the same time. Also available in english. There should be enough surprises for everybody as nothing is as it seems. This rabbit hole goes much deeper than the one Alice fell into:) Philémon is classic European comics album tradition published from 1978 to 1987. [\#BD](https://peculiar.florist/tags/BD) [#Philémon](https://peculiar.florist/tags/Philémon) [#Fred](https://peculiar.florist/tags/Fred)

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[Interview] Carnets de Voyage : François Schuiten et la passion d'un train [@artdesign](https://jlai.lu/c/artdesign) [invidious.fdn.fr/watch?v=LrZOLA7Uau8](https://invidious.fdn.fr/watch?v=LrZOLA7Uau8) Tout l'été, Télérama.fr invite des dessinateurs à raconter leurs carnets de voyages. Embarquement immédiat avec "La Douce", une locomotive mythique croquée par François Schuiten. Réalisation : Pierrick Allain, Laurence Le Saux Réalisation : Pierrick Allain, Laurence Le Saux [\#BD](https://peculiar.florist/tags/BD) [#FrançoisSchuiten](https://peculiar.florist/tags/FrançoisSchuiten) [#Train](https://peculiar.florist/tags/Train)

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https://www.youtube.com/watch?v=5TKZsnujzk0

Alt links: - https://invidious.privacydev.net/watch?v=5TKZsnujzk0 - https://piped.privacydev.net/watch?v=5TKZsnujzk0

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parisbasketball.com

![](https://lemm.ee/api/v3/image_proxy?url=https%3A%2F%2Fjlai.lu%2Fpictrs%2Fimage%2Fe911d3b0-5963-452a-88db-3e51d917a22a.jpeg)

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www.yorgo.co

_En 2018, Ricard s'est associé à l'agence parisienne Yorgo&Co pour présenter une nouvelle identité épurée, sans toucher à sa bouteille emblématique. Aujourd'hui, Yorgo&Co revient avec une version rafraîchie de cette marque classique, visant à conserver son passé historique tout en lui donnant une touche contemporaine. Alors que Ricard domine déjà le marché français des spiritueux, ce changement de marque ne se résume pas seulement à un nouveau look ; il s'agit de perpétuer l'héritage de la marque tout en restant pertinent pour les nouvelles générations._ > "Fin 2023, Ricard nous a demandé de rafraîchir les codes graphiques de la marque, et nous nous sommes retrouvés dans une situation unique : repenser un logo que nous avions créé 7 ans plus tôt. Yorgo a dessiné une nouvelle icône solaire pour remplacer son « R » composé de rayons de soleil : un cercle minimal et généreux, s'élevant (ou se couchant) derrière notre logotype de 2017. > > Dans les nouveaux codes de la marque, nous avons redéfini l'utilisation des polices de caractères exclusives que nous avions livrées précédemment et avons apporté un jaune doré plus intense. Nous avons également introduit un motif graphique qui joue avec le cadre historique de Ricard, une mention plus audacieuse de la date de fondation et nous avons conçu une large gamme d'articles de communication, des chaises longues aux sweat-shirts à capuche."

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peertube.s2s.video

Taken from Arnaud Balard's channel for educative purpose : https://www.dailymotion.com/Arnaudeaf Source : https://www.dailymotion.com/video/x2wfoh2 A video in International Signs on the concept of SIGN UNION FLAG and Deaf Flag, realized by Arnaud Balard and set up by Niro (FRANCE, July 2015). English Subtitles available to all (with black bandage especially for dysvisual and blind people) POUR REGARDER LA VIDEO EN FRANÇAIS, CLIQUEZ SUR CE LIEN : https://peertube.s2s.video/w/sgiH2C8RDCf7aNz1xervdr

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https://www.youtube.com/watch?v=aNKiBJJFXZI

Alt links : - https://invidious.privacydev.net/watch?v=aNKiBJJFXZI - https://piped.privacydev.net/watch?v=aNKiBJJFXZI

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Voilà c'est tout ha ha

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> Ryan Imperio (USA), “Distorted Shadows of the Moon’s Surface Created by an Annular Eclipse.” All images © the photographers, courtesy of Royal Observatory Greenwich, shared with permission Full article with other participants here : https://www.thisiscolossal.com/2024/09/astronomy-photographer-of-the-year/

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https://www.fastcompany.com/91185733/paris-paralympics-athletes-fashion-embraces-inclusive-design

> Alison Brown, a podcaster who has been covering Olympics for years, says this Olympic cycle is the first where she has seen signs of adaptive fashion taking hold.

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https://www.thisiscolossal.com/2024/09/welcome-to-the-new-colossal/

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[design] [architecture] Le monde nouveau de Charlotte Perriand | Parcours filmé de l'exposition (english subtitle) [@artdesign](https://jlai.lu/c/artdesign) À l'occasion de la journée internationale des droits des femmes, la Fondation met à l'honneur le parcours d'une femme qui a marqué l'histoire de l'architecture : Charlotte Perriand. Cette femme libre, pionnière de la modernité, est l'une des personnalités phares du monde du design du XXème siècle qui a contribué à définir un nouvel art de vivre. L'exposition Le monde nouveau de Charlotte Perriand retrace le travail de cette architecte, dont l'oeuvre anticipe les débats contemporains autour de la femme et de la place de la nature dans notre société. Retrouvez le parcours filmé de l'exposition qui s'est tenue à la Fondation du 2 octobre 2019 au 24 février 2020. \--- On the occasion of International Women's Rights Day, we wanted to look back on the journey of a woman who marked the history of architecture : Charlotte Perriand. A free woman, pioneer of modernity, a leading figure of the XX century design, who contributed to the definition of a new art de vivre. The exhibition Charlotte Perriand : Inventing a New World retraces the architectural work of Charlotte Perriand, whose creations presage current conversations about the roles of women and nature in our society. Discover the filmed visit of the exhibition held at the Fondation from 2 October 2019 to 24 February 2020. \--- One of my favorite designer. I especially love the period after her trip to japan [\#Art](https://peculiar.florist/tags/Art) [#Design](https://peculiar.florist/tags/Design) [#CharlottePerriand](https://peculiar.florist/tags/CharlottePerriand)

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[Portrait] [Calligraphie] [Painting] Fabienne Verdier : Vortex (english subtitle) [@artdesign](https://jlai.lu/c/artdesign) In her tranquil studio, the French artist’s new 'Vortex' paintings give form to the human voice. As the first ever artist-in-residence at the renowned Juilliard School in New York, Fabienne Verdier studied the vocal practice and breathing technique of the singers and musicians in training. The resulting series, ‘Vortex’, comprises large scale paintings, each one a unique response to the way a soprano sings a specific operatic aria by Wolfgang Amadeus Mozart. The paintings’ swirling, vortex-like strokes are made with the use of massive horsehair brushes which Verdier operates from a specially built mobile platform above the canvas. Manifestations of Verdier’s desire to go beyond a ‘static, unmoving’ form of representation, they offer points of connection with the ‘true nature of reality’: ‘spontaneity, movement, change’, as she reflects in this video. Filmed at the French artist’s studio complex in the remote countryside of the Val-d’Oise while working on the ‘Vortex’ series this summer, the video sees the artist in her studio, the library (where long periods of research and contemplation precede the beginning of new works) and surrounded by nature: whose ‘active silence’, Verdier says, ‘brings these paintings to life.’ ‘Fabienne Verdier: Vortex’ is on view at Waddington Custot, London from 6 October to 17 November. [\#FabienneVerdier](https://peculiar.florist/tags/FabienneVerdier) [#Painting](https://peculiar.florist/tags/Painting) [#Calligraphy](https://peculiar.florist/tags/Calligraphy)

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www.creativeboom.com

> The hysteria surrounding the Oasis reunion serves as a powerful reminder of the lasting impact of strong branding in the music industry and beyond. Through a combination of iconic design assets, distinctive sounds, clear messaging, and unforgettable personalities, bands like Oasis and the Spice Girls have created brands that stand the test of time. > For graphic designers, marketers, and brand strategists, the lessons from these enduring musical acts are clear: create multi-sensory brand experiences, tap into emotional connections, and develop assets that can evolve with culture while remaining true to the core identity. > By doing so, brands can aspire to achieve the kind of lasting cultural relevance that keeps audiences coming back for more, even decades after their initial impact.

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